ČLANOVI ŽIRIja
JURY MEMBERS
DA2 FILM FESTIVAL
2023
Judita Franković Brdar
Ivan Dorotić
Adriana Rispoli
O pobjedničkom filmu petog izdanja DA2 Film Festivala odlučuje međunarodni žiri u sastavu: Judita Franković Brdar (filmska, kazališna i televizijska glumica), Ivan Dorotić (glavni urednik i pokretač online magazina Vizkultura) i Adriana Raspoli (kritičarka umjetnosti i kustosica).
Službena nagrada DA2 – Zagreb Design, Art & Architecture Film Festivala, Nagrada ISKRA za najinspirativniji film po ocjeni žirija dodjeljuje se s ciljem poticanja proizvodnje filmova koji tematiziraju dizajn, arhitekturu i umjetnost, razvoja kreativnog stvaralaštva te promocije hrvatske umjetnosti u svijetu.
The winning film of DA2 Film Festival’s fifth edition will be chosen by its International Jury members: Judita Franković Brdar (film, theater and television actress), Ivan Dorotić (editor-in-chief and founder of the online magazine Vizkultura) and Adriana Rispoli (art critic and curator).
The official prize of DA2 – Zagreb Design, Art & Architecture Film Festival, is the SPARK Award for the most inspiring film according to the Jury votes. The Award is handed out with the aim of supporting production of films about design, architecture and arts, but also to encourage creativity as well as to promote Croatian art internationally.
ŽIRI O NAGRADI ISKRA
Ističući iznimnu kvalitetu filmova koji su izabrani za prikazivanje u programu, kako sadržajno tako i formom, žiri je naglasio važnost festivala kao prilike da inspirira, nadahnjuje i informira. Napomenuli su kako je bila privilegija gledati filmove, ali istovremeno veliki izazov prosuđivati ih. Diskutirajući o najboljima vodili su se smjerom da istaknu najinspirativnije te su jednoglasno odlučili nagraditi ova dva naslova:
NAGRADA FESTIVALA
„György Kepes: međurazmišljanje umjetnosti + znanosti“ - Márton Orosz
„Na obrazovan, dinamičan i nevjerojatno strastven način film uspijeva ponovno pobuditi pozornost na kapitalnu figuru vizualne kulture, koja je još uvijek nedovoljno valorizirana. Bogatstvo redateljskih intervencija i arhivske vizualne građe svjedoče o istraživačkom naporu, a narativni zaplet u kojem se izmjenjuju suvremena svjedočanstva i lik protagonista neprestano nas drže u fokusu. Glavna vrijednost filma je jednostavan i izravan način kojim dočarava doprinose koji su Kepesove teorije i multidisciplinarna umjetnička praksa imale na čitave generacije studenata, kreativaca pa i na sam razvoj umjetnosti, koji su vidljivi i danas. Lik, djelo i ideje ovog briljantnog pionira 20. stoljeća, koji je predugo bio u sjeni poznatijih suvremenika, blistaju kao istinsko nadahnuće svim budućim stvaraocima i vizionarima!“
JURY ABOUT THE SPARK AWARD
The unquestionable quality of the film selected for the festival, both in terms of content and form, made the jury truly honoured by the privilege of being able to see them but also challenged to judge them. In their discussions they followed the spark and lead to choose the most inspirational one. Although the choice was particularly demanding the jury unanimously opted for the two titles:
FESTIVAL AWARD
„GYORGY KEPES – INTERTHINKING ART + SCIENCE“- Marton Orosz
“In an educational, dynamic, and incredibly passionate manner, this work has managed to rekindle attention on a capital figure of visual culture who is still incredibly little known. The wealth of interventions and archival visual material,
in a simple and direct way, demonstrate the effort of research while the narrative plot, alternating between contemporary testimonies and the profound figure of the protagonist, constantly keeps the focus of viewers’ attention. The main value of this film lies in managing to render the contribution that the theories and multidisciplinary artistic practice of Kepes have had on entire generations of students and creatives and on future developments in art, that are still visible today. The story, work, and ideas of this brilliant 20th-century pioneer, who has long been overshadowed by more famous contemporaries, spark as a true inspiration to all future creators and visionaries!"
ŽIRI O POSEBNOM PRIZNANJU:
„Gian Paolo Barbieri: čovjek i ljepota“ - redatelj Emiliano Scatarzi
„Iznimnim i sveobuhvatnim redateljskim pristupom, film precizno i zavodljivo dokumentira dugotrajnu karijeru umjetnika, razotkrivajući uistinu fascinantan autorski opus. Vizualno i ritmički film uspijeva gledatelju pružiti direktan i iskren uvid u ostavštinu Barbieria, kao i u njegovu intimu. Istovremeno ga potretirajući kao velikog maestra, film jasno ističe njegovu skromnost i neposrednost, istražujući polja njegovih suradnji, odnosa te značaja na sceni, kojeg tek treba dodatno proširiti. Žiri je pohvalio činjenicu da se redatelj iskreno, ali nikad pretjerano nametljivo, dotiče tema starenja, prolaznosti, bolesti i dugovječnosti, što je u potpunoj suprotnosti s brzim i površnim te uvijek novim i mladenačkim, kao dominantnim narativima modne industrije. Vjerojatno je najveća ljepota (i vrijednost) ovog filma upravo direktan dijalog s umjetnikom, koji se odvija ovdje i sada, prikazujući Barbierija kao živućeg i još uvijek itekako prisutnog umjetnika, prije nego je za to prekasno."
THE JURY ABOUT SPECIAL MENTION:
„Gian Paolo Barbieri: The Man and the Beauty“ - director Emiliano Scatarzi
“Through an exceptional overall directorial approach, the film accurately and seductively elaborates the enduring career, exposing a truly fascinating oeuvre. Both visually and rhythmically it succeeds in providing the viewer with an honest insight into the artist's body of work as well as his intimacy. While simultaneously highlighting him as a great maestro, the film clearly emphasizes his modesty and character. The plot of the film opens delightful realms of his creations, collaborations, co-workers, and significance on the scene, which is yet to be stretched to even further level. The jury praised the fact that the director sincerely, but never too assertively delves into the themes of aging, transience, illness, and longevity, which obviously stand in complete contrast to the fast, superficial, and always ‘youthful and new’ narratives that dominate the fashion industry. Perhaps the greatest beauty (and value) of this film is direct dialogue with the artist, that takes place here and now, portraying Barbieri as a living and, indeed, present persona, before it’s too late.”
Judita Franković Brdar je filmska, kazališna i televizijska glumica, od 2008. slobodna umjetnica. Magistrirala je komparativnu književnost i kroatistiku na Filozofskom fakultetu u Zagrebu. Glumačku naobrazbu stekla je u Studiju Teatra Exit pod vodstvom Simone Dimitrov-Palatinuš i na raznim radionicama od kojih izdvaja ljetni intenziv u njujorškom William Esper studiju Meisner tehnike. Tijekom karijere surađuje s mnogim hrvatskim kazalištima i festivalima, poput Teatra Exit, Male scene, Gavelle, HNK-a Rijeka, HNK-a Varaždin, HNK-a Zagreb, Splitskog ljeta, Dubrovačkih ljetnih igara, Zagrebačkog plesnog centra, Teatra ITD i Lude kuće. Za svoje kazališne (Judith French, Superspasiteljice, Kraljica Vešmašina, Čelične magnolije), filmske (Izbrisana), i televizijske uloge (Počivali u miru) nagrađivana je u Hrvatskoj i inozemstvu.
Judita Franković Brdar is a film, theater, and television actress, an independent artist since 2008. She earned her master's degree in Comparative Literature and Croatian studies at the Faculty of Philosophy of the University of Zagreb. She received her acting education at the Teatar Exit Studio under the guidance of Simona Dimitrov-Palatinuš, and she attended various workshops, of which she highlights the summer intensive at the William Esper Studio in New York, where she studied the Meisner technique. Throughout her career, she has collaborated with many Croatian theaters and festivals, including Teatar Exit, Mala scena, Gavella, HNK Rijeka, HNK Varaždin, HNK Zagreb, Splitsko ljeto, Dubrovačke ljetne igre, Zagrebački plesni centar, Teatar ITD, and Luda kuća. She has been awarded for her theater (Judith French, Superspasiteljice, Kraljica Vešmašina, Čelične magnolije), film (Izbrisana), and television roles (Počivali u miru) in Croatia and abroad.
Ivan Dorotić glavni je urednik i pokretač online magazina Vizkultura. Dio je fotografskog dvojca Bosnić+Dorotić specijaliziranog za arhitektonsku fotografiju. U domeni kulture i umjetnosti djeluje i kao publicist te komunikacijski strateg, surađujući s muzejima, galerijama i arhitektonskim studijima. Bio je dio autorskog tima koji je predstavljao Hrvatsku na 17. Venecijanskom bijenalu arhitekture 2021. godine. Izlagao je na 6 samostalnih i dvadesetak grupnih izložbi. Fotografije su mu objavljivane u brojnim stručnim inozemnim dizajnerskim i arhitektonskim časopisima, knjigama, magazinima te izložbama.
Ivan Dorotić is the editor-in-chief and founder of the online magazine Vizkultura. He is part of the Bosnić+Dorotić photography duo, specializing in architectural photography. He also works as a publicist and communication strategist in the fields of culture and art, collaborating with museums, galleries, and architectural studios. He was part of the authorial team which represented Croatia at the 17th Venice Architecture Biennale in 2021. His work has been displayed in six solo exhibitions and around twenty group exhibitions. His photographs have been published in numerous international design and architectural magazines, books, and exhibitions.
Adriana Rispoli je kritičarka umjetnosti i kustosica sa sjedištem u Napulju, koja se specijalizira za interdisciplinarne jezike suvremene umjetnosti, od performansa do videa i participativne umjetnosti, kao i lokacijski specifične projekte. Između ostaloga, organizirala je javni program talijanskog paviljona na 59. Bijenalu u Veneciji, osnovala Q.I. Vedo ‘open air’ program za video umjetnost u Quartiere Intelligente, kurirala Projektnu sobu Muzeja Madre u Napulju te surađivala s mnogim umjetničkim institucijama poput Muzeja Ovartaci u Aarhusu, MSU-a Zagreb, istanbulskog Pista, Town Housea u Kairu, CCa u Tel Avivu, Muzeja Zoma u Addis Abebi, Nacionalnog muzeja suvremene umjetnosti u Solunu, Galerije Podroom u Beogradu, Muzeja Capodimonte i Arheološkog parka Paestum. Kao neovisna kustosica, organizirala je brojne projekte s umjetnicima poput Juergena Tellera, Wima Wendersa, Davida LaChapellea, Francesca Jodicea, Igora Grubica, Eugenia Tibaldija, Elene Mazzi, Flavia Favellija, Raffaele Mariniello, Rosy Rox i Monice Bonvicini. Redovito sudjeluje na seminarima i predavanjima o vizualnoj kulturi i novim kustoskim i muzejskim strategijama, te uređuje umjetničke knjige i kataloge s kritičkim esejima. Trenutno radi kao konzultantska kustosica u budućoj umjetničkoj instituciji Palazzo Diedo u Veneciji.
Adriana Rispoli is an art critic and curator based in Naples who specializes in transversal languages of contemporary art, from performance to video and participatory art, as well as site-specific projects. Among others, she organized the Public Program of the Italian Pavillon 59° Biennale di Venezia, founded the Q.I. Vedo open air video art program at Quartiere Intelligente, curated the Project Room of the Madre Museum in Naples, and collaborated with many art institutions such as Ovartaci Museum Aarhus, MSU Zagreb, Pist Istanbul, The Town House Cairo, CCa Tel Aviv, Zoma Museum Addis Ababa, National Art Museum Thessaloniki, Podroom Gallery Belgrade, Capodimonte Museum, and Paestum Archeological Park. As an independent curator, she organized numerous projects with artists like Juergen Teller, Wim Wenders, David LaChapelle, Francesco Jodice, Igor Grubic, Eugenio Tibaldi, Elena Mazzi, Flavio Favelli, Raffaela Mariniello, Rosy Rox, and Monica Bonvicini. She frequently participates in seminars and lectures on visual culture and new curatorial and museum strategies, as well as edits art books and catalogues with critical essays. Currently, she is working as a consultant curator at the upcoming art institution Palazzo Diedo in Venice.